A collaborative art making project exploring the relationship between text, image and machine.

Geert Lovink

Edition: 01-A1CB

The Net

Text prompt

The Internet does not exist

Source

angelicism01, The Internet Has Gone, Nobody Will Kiss You Baby: Clonal Axioms (3), May 24, 2022 on Substack.

Parameters

–no text, words

Midjourney Job ID #

1ea57c4a-9334-46c6-8edb-471c18b4b93c

Prompt Author

Geert Lovink

Parent image

MidJourney Job ID :: ecfd0d67-31db-44eb-9a2e-a0534f8479a4

Geert Lovink – Author’s Response

Quick Scan of the Monstrous Image

In the early period of generative AI images, DALL·E 2, Midjourney and Stable Diffusion were used to generate dark, creepy imagery. There was nothing wrong with their pixelation as all the required elements were present. The textures and colours of objects looked convincing. The human skins were puppet-like, but only upon closer inspection. The shock of the new was not in the gloom but in the text prompt: weirdness on demand. We already filtered our perfect selfies and ideal holiday snapshots up to the point of alienation.

We already filtered our perfect selfies and ideal holiday snapshots up to the point of alienation.

The monstrous images with the six fingers were fascinating because they were not competing with documentary photography — even though the gap was rapidly closing. The problem wasn’t that the images were ‘fake’ but that they were merely illustrations. Of what? These pure images generated for some unknown reason. No one had asked for them. Their aesthetics evoked the uncanny look and feel of science fiction films, computer games and VR environments. But what if we had not generated dystopian trash culture and instead cuteness, love and care? Why were the AI images so different from the new age psychedelic NFT wave, 18 months earlier?

But what if we had not generated dystopian trash culture and instead cuteness, love and care? Why were the AI images so different from the new age psychedelic NFT wave, 18 months earlier?

Early prompt usage looked for the raw edges of an unfinished technology. This is a McLuhan-style law of emergent media and is inevitable when a new medium opens up. There is dialectic materialist necessity here. Early adopters who took up the historical task were not interested in the digital mundane. Instead, they pushed boundaries to provoke the systems to show their true, ugly face. In the Covid aftermath period of the Russian invasion of Ukraine, defined by inflation, increased social inequality, mass migration and climate crisis, the AI imaginary appeared as a “shock of a violent crisis,” much like Walter Benjamin’s encounter with the Parisian Surrealists, back in 1926.

How do we assess the disorder of the senses today? Do we really dive into the techno-unconscious that is generated by black box software, unleashed into unknowable databases?

Probes were not done out of anxiety. Rather, they were driven by the all too obvious male adolescent curiosity to test boundaries. The will to crash should also be read as a death drive against a morally bankrupt capitalist system that refuses to die. The eerie is provoked to prove that the systems are not merely processual, lifelessly administrative, algorithm-meets-database tools but have an all too human element: the promise of an intelligent genius. It is evilness itself that proves that the machine is embodied by a spirit.

It is evilness itself that proves that the machine is embodied by a spirit.

Is today’s wave of techno-surrealism a red herring that obscures the ways AI will eventually be serving power? At this stage, we’ve moved from the shock tactics of the early prototypes to rapid implementation of AI in wildly different professional contexts, from film editing to law, accompanied by ethics and governance machines. There is a perverse pleasure to bring out the zombie in the machine in order to prove that AI is ‘capital’s willing executor’.

At some point the perverse curiosity fell flat. We returned to continental-European criticism to sharpen our minds. Silicon Valley servants frame critique as fear for the unknown but this rhetorical trick no long works. Take Francis Hunger’s call to ‘unhype’ and replace the words ‘intelligence’, ‘neuron’ and ‘learning’ with ‘statistics’, ‘weights’ and ‘conditioning’.

Is this the eye candy we deserve, in a desperate effort to manage our accelerated lives?

What condition am I lured into in this case? Is this dystopian wave serving a wider agenda to unleash an anti-capitalist ‘generative strike’? What restorative beauty do the platform billions need in order to maintain well-being inside their rabbit holes? Is this the eye candy we deserve, in a desperate effort to manage our accelerated lives? Is this the ‘copium’ meme culture speaks of? AI as an adaptive tool to restore sanity in an insane world? Here the macabre imagery falls silent and leaves it up to the viewer to decide what is being illustrated in the first place.

GL 15-05-2023

Edition: 09-A2BB

Sad by Design

Text prompt

Sad by design

Context parameters

NA

Parameters

–ar 2:3 –s 2500 –c 100 –no text –no words –v 3

Midjourney Job ID #

08cd7600-fa67-4626-844e-9dd3fbfdc0b8

Prompt Author

Geert Lovink

Parent image

MidJourney Job ID :: c849fa90-b742-4160-9b69-606b89e29a7b

Edition: 11-A1

Dreams

Text prompt

What did you dream?
It’s alright, we told you what to dream

Source

Pink Floyd, ‘Welcome to the Machine‘ from the 1975 album Wish You Were Here, EMI, UK

Context parameters

In the style of Wired Magazine, 1995

Parameters

NA

Midjourney Job ID #

be22062f-53ea-46d9-90b8-6998f62818d8

Prompt Author

Geert Lovink

Parent grid

MidJourney Job ID :: 2b7d8c2e-e33f-4264-952b-9eae835e4b5c

Slideshow :: Editions 28-A3, 30-A3, 32-A2, 42-A3, 47-A1, 54-A4, 66-A3 & 70-A1 (8 sheets)

Dream (Emoji)

Text prompt

What did you dream?
It’s alright, we told you what to dream

Source

Pink Floyd, ‘Welcome to the Machine‘ from the 1975 album Wish You Were Here, EMI, UK

Context parameters

Print ready contact sheet on a white background for a full suite of emojis depicting a Big Tech futurist hell scape. Must include icons for network viruses, software, computer peripherals, social media, gadgets, media files, error messages, mobile devices, microphones, cameras, tools, browsers, connections, storage and screens. Plastic, smooth texture, high contrast, realistic lighting. Gothic, surreal, scary, horror, cute.

Parameters

(Variously) in the style of Mark Ryden / Tim Burton / Jim Henson

Midjourney Job ID #

Image 01 :: 991b7671-0c27-4809-93a2-a16754123d33

Image 02 :: 57e7ae17-95eb-4690-b875-d157e7782813

Image 03 :: 770dafc6-a5d1-4fb4-8f7d-3355e7df649c

Image 04 :: e392b4de-607e-427c-be11-e2b5c70d4a74

Image 05– a3a06106-05af-4cc5-be27-651ac848e94e

Image 06 :: b59f93e0-51b7-4333-8f4e-f570d4fd80f4

Image 07 :: 7f99c142-cd8c-4361-b2df-aeee676e7cb7

Image 08:: e8e1f074-f3ee-45c7-a454-9487db6998b3

Prompt Author

Geert Lovink

Parent grid (for first sheet, Edition 28-A3)

MidJourney Job ID :: 3bb25f0b-5aa7-4934-975c-cbcd522439f5

Parent grid (for last sheet, Edition 70-A1)

Midjourney Job ID :: 8c53d0cf-b703-4025-aaa9-4406e55522b0

Edition: 18-A1HEC

Sad by Design

Text prompt

Sad by design

Context parameters

In the style of a mobile app interface

Parameters

–ar 2:3 –s 2500 –c 100 –no text –no words –v 3

Midjourney Job ID #

dfe63262-f692-4837-b833-ee56b7fa3f93

Prompt Author

Geert Lovink

Parent grid

MidJourney Job ID :: b6dbfc0d-49db-4cb8-841e-04f47435ab8a

Edition: 05-A1BC

Dreams

Text prompt

What did you dream?
It’s alright, we told you what to dream

Source

Pink Floyd, ‘Welcome to the Machine‘ from the 1975 album Wish You Were Here, EMI, UK

Context parameters

In the style of Storm Thorgerson, 1975

Parameters

NA

Midjourney Job ID #

19_0242d1f9-4eeb-4a00-9f36-c044d3d1f363

Prompt Author

Geert Lovink

Parent image

MidJourney Job ID :: 79604f4f-c3de-4d32-a73f-441c07666e44

Edition: 07B-A2FB

Dreams

Text prompt

What did you dream?
It’s alright, we told you what to dream.

Source

Pink Floyd, ‘Welcome to the Machine‘ from the 1975 album Wish You Were Here, EMI, UK

Context parameters

In the style of Omni Magazine, 1981

Parameters

–ar 3:2

Midjourney Job ID #

bfab3e6f-bbdd-4338-994f-0239c9f31590

Prompt Author

Geert Lovink

Parent image

MidJourney Job ID :: 4d1f44b7-9adf-45d2-9b0c-eb9a02c9b535

Edition: 35C-A3

Sad by Design

Text prompt

Sad by design

Context parameters

NA

Parameters

–v 4

Midjourney Job ID #

7e78732e-4109-447b-8dcb-9d55298b734b

Prompt Author

Geert Lovink

Image Prompt

Fortunato Depero (1930) The New Babel

Parent image

MidJourney Job ID :: b6dbfc0d-49db-4cb8-841e-04f47435ab8a

Edition: 58-A4F

Sad by Design

Text prompt

Sad by design

Parameters

–ar 2:3

Image blends

Image Credit: Lovink (2023-01-23) Sad 35-A3 & Fortunato Depero (1930) The New Babel

Midjourney Job ID #

7a1a5012-c204-4566-a913-ee4f7aea826b

Prompt Author

Geert Lovink

Parent grid

MidJourney Job ID :: 94fb67a8-57d1-4e44-a5b4-bcb3abae06e9

Detail Samples: 28-A3 – 73-A3 (from 15 sheets)

Dream (Emoji)

Text prompt

What did you dream?
It’s alright, we told you what to dream.

Source

Pink Floyd, ‘Welcome to the Machine‘ from the 1975 album Wish You Were Here, EMI, UK

Context parameters

Print ready contact sheet on a white background for a full suite of emojis depicting a Big Tech futurist hellscape. Must include icons for network viruses, software, computer peripherals, social media, gadgets, media files, error messages, mobile devices, microphones, cameras, tools, browsers, connections, storage and screens. Plastic, smooth texture, high contrast, realistic lighting. Gothic, surreal, scary, horror, cute.

Parameters

In the style of Mark Ryden / Tim Burton / Jim Henson

Midjourney Job ID #

First sheet :: 991b7671-0c27-4809-93a2-a16754123d33

Last sheet :: 70e4f797-57e1-4639-b324-a2e31f42e805

Prompt Author

Geert Lovink

Parent grid (First sheet – 28-A3)

MidJourney Job ID :: 3bb25f0b-5aa7-4934-975c-cbcd522439f5

Edition: 08-A2D

The Net

Text prompt

The Internet does not exist

Source

angelicism01, The Internet Has Gone, Nobody Will Kiss You Baby: Clonal Axioms (3), May 24, 2022 on Substack.

Parameters

–ar 16:9 –no text, words

Midjourney Job ID #

49711943-c723-4f50-b53f-99863e87be0b

Prompt Author

Geert Lovink

Parent grid

MidJourney Job ID :: 2817c2f9-e511-4e47-948c-6fe91d3768e9

Video Experiment #01

Editions: 09-A4 – 09A4ID (32 images)

Sad by Design

Text prompt

Sad by design

Context parameters

NA

Parameters

–ar 2:3 –c 100 –no text –no words

Midjourney Job ID #

Start :: e5f324d4-c4a7-46c8-84fb-cb1c0956021d

End :: 2e3ca963-066b-4b21-8a39-efcb8297121a

Prompt Author

Geert Lovink

Parent grid

MidJourney Job ID :: b6dbfc0d-49db-4cb8-841e-04f47435ab8a

The The Net series

Image production dates: 23-01-2023 to 22-02-2023

Editions :: 50

Parent Grids :: 10

First Discord instance:

https://shorturl.at/qtH26

Lovink, G., Goodwin, M. & Midjourney, “Geert Lovink – The Net,” in Slow Down Time, Goodwin, M. Ed. Melbourne: Word Press, April 17, 2023, http://slowdowntime.com/geert-lovink/

The Dreams series

Image production dates: 23-11-2023 to 16-02-2023

Editions :: 104

Parent Grids :: 51

First Discord instance:

https://shorturl.at/iBLV4

Lovink, G., Goodwin, M. & Midjourney, “Geert Lovink – Dreams,” in Slow Down Time, Goodwin, M. Ed. Melbourne: Word Press, April 17, 2023, http://slowdowntime.com/geert-lovink/

The Sad by Design series

Image production dates: 23-01-2023 to 23-02-2023

Editions :: 311

Parent Grids :: 62

First Discord instance:

https://shorturl.at/xW138

Lovink, G., Goodwin, M. & Midjourney, “Geert Lovink – Sad by Design,” in Slow Down Time, Goodwin, M. Ed. Melbourne: Word Press, April 17, 2023, http://slowdowntime.com/geert-lovink/

The Dream (Emoji) series

Image production dates: 13-01-2023 to 15-02-2023

Editions :: 60

Parent Grids :: 51

First Discord instance:

https://shorturl.at/ghyC2

Lovink, G., Goodwin, M. & Midjourney, “Geert Lovink – Dream (Emoji),” in Slow Down Time, Goodwin, M. Ed. Melbourne: Word Press, April 17, 2023, http://slowdowntime.com/geert-lovink/

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